Observations on the changing nature of connection/disconnection are created by three artists using process-based approaches to investigate aspects of imposed isolation on the psyche, landscapes, and interactions. Claudette Abrams contemplates the cessation of air travel using digitally extracted negative space. Anthea Baxter-Page mirrors lockdown with vintage Holga images of unpopulated tourist destinations. Berkley J Abrams Page uses a photo-based approach to explore human disconnection in various forms. Exhibited outdoors as a collective of individual freestanding vitrines around Ward’s Island; the context expands conceptually into physical spaces of both isolation and openness, containment and accessibility.

Yayoi Kusama is one of Japan’s most important contemporary artists. In March 2021, the Gropius Bau will devote the first comprehensive retrospective in Germany to Kusama’s work. Spanning almost 3000 m², the exhibition will offer an overview of her central creative periods across the past 80 years, including a number of new works as well as a newly realized Infinity Mirror Room.

The Costume Institute's 2020 exhibition will trace a century and a half of fashion—from 1870 to the present—along a disruptive timeline, on the occasion of The Met's 150th anniversary. Employing Henri Bergson's concept of la durée (duration), it will explore how clothes generate temporal associations that conflate past, present, and future. Virginia Woolf will serve as the "ghost narrator" of the exhibition.

Arsenal Contemporary Art New York presents This Sacred Vessel (pt. 2). After first exploring landscape painting and how it is informed by ecological anxiety in This Sacred Vessel (pt. 1), pt. 2 investigates figurative painting. A group show of nine artists who each depict the figure in playful and ambiguous interpretations of popular culture and explores voyeurism.